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No Olho da Rua (In the Eye of the Street) Archive 2: Edited by Martin Parr Rare is not only an artist’s

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is not only an artist’s performance for the camera

That outrage only grew as parts of the conservative spectrum belittled the danger that I have been perceiving the country to be in

Central Europe

the Kunsthalle Wien (2010) and the Ukrainian Pavilion at the Venice Biennale (2007)

No Olho da Rua (In the Eye of the Street) Archive 2: Edited by Martin Parr Rare is not only an artist’s18 Zines over 12 Months Limited Edition of 200 per edition Paperback a5 selfcovering 40 to 44 Pages Mrel 2020 In 1995, artists Julian Germain (UK), Patricia Azevedo and Murilo Godoy (BR) began working on No Olho da Rua (In the Eye of the Street) in the Brazilian city of Belo Horizonte. Their proposal was to put cameras into the hands of street children, young people living chaotic lives on the margins of society who had rarely, if ever, been

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